The Project Gutenberg EBook of The Project Gutenberg Complete Works
of Gilbert, by Gilbert Parker

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Title: The Project Gutenberg Complete Works of Gilbert Parker

Author: Gilbert Parker

Release Date: October 17, 2006 [EBook #6300]
Last Updated: November 30, 2012

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK COMPLETE WORKS OF PARKER ***



Produced by David Widger

THE COMPLETE WORKS OF

GILBERT PARKER

ON-LINE INDEX

INTRODUCTION

VOLUMES

PIERRE AND HIS PEOPLE

A ROMANY OF THE SNOWS

NORTHERN LIGHTS

MRS. FALCHION

CUMNER'S SON AND OTHER SOUTH SEA FOLK

WHEN VALMOND CAME TO PONTIAC

THE TRANSLATION OF A SAVAGE

THE POMP OF THE LAVILETTES

AT THE SIGN OF THE EAGLE

THE TRESPASSER

THE MARCH OF THE WHITE GUARD

THE SEATS OF THE MIGHTY

THE BATTLE OF THE STRONG

THE LANE THAT HAD NO TURNING

PARABLES OF A PROVINCE

THE RIGHT OF WAY

MICHEL AND ANGELE

JOHN ENDERBY

"THERE IS SORROW ON THE SEA"

DONOVAN PASHA AND SOME PEOPLE OF EGYPT

THE WEAVERS

EMBERS (Poetry)

A LOVER'S DIARY (Poetry)

THE MONEY MASTER

THE WORLD FOR SALE

YOU NEVER KNOW YOUR LUCK

WILD YOUTH

NO DEFENSE

CARNAC'S FOLLY

ALL STORIES and CHAPTERS

PIERRE AND HIS PEOPLE

TALES OF THE FAR NORTH

By Gilbert Parker

A ROMANY OF THE SNOWS

BEING A CONTINUATION OF THE PERSONAL HISTORIES OF "PIERRE AND HIS PEOPLE" AND THE LAST EXISTING RECORDS OF PRETTY PIERRE

By Gilbert Parker

NORTHERN LIGHTS

By Gilbert Parker

MRS. FALCHION

By Gilbert Parker

INTRODUCTION

CUMNER'S SON AND OTHER SOUTH SEA FOLK

by Gilbert Parker

INTRODUCTION

CUMNER'S SON

WHEN VALMOND CAME TO PONTIAC

The Story of a Lost Napoleon

By Gilbert Parker

INTRODUCTION

WHEN VALMOND CAME TO PONTIAC

THE TRANSLATION OF A SAVAGE

By Gilbert Parker

INTRODUCTION

THE TRANSLATION OF A SAVAGE

THE POMP OF THE LAVILETTES

By Gilbert Parker

AT THE SIGN OF THE EAGLE

By Gilbert Parker

THE TRESPASSER

By Gilbert Parker

INTRODUCTION

TO DOUGLAS ROBINSON, Esq.,

THE TRESPASSER

THE MARCH OF THE WHITE GUARD

By Gilbert Parker

THE SEATS OF THE MIGHTY

BEING THE MEMOIRS OF CAPTAIN ROBERT MORAY, SOMETIME AN OFFICER IN THE VIRGINIA REGIMENT, AND AFTERWARDS OF AMHERST'S REGIMENT

By Gilbert Parker

INTRODUCTION TO THE IMPERIAL EDITION

THE BATTLE OF THE STRONG

[A ROMANCE OF TWO KINGDOMS]

By Gilbert Parker

THE LANE THAT HAD NO TURNING

By Gilbert Parker

INTRODUCTION

THE LANE THAT HAD NO TURNING

PARABLES OF A PROVINCE

By Gilbert Parker

THE RIGHT OF WAY

By Gilbert Parker

INTRODUCTION

NOTE

THE RIGHT OF WAY

MICHEL AND ANGELE

[A Ladder of Swords]

By Gilbert Parker

INTRODUCTION

A NOTE

MICHEL AND ANGELE

JOHN ENDERBY

By Gilbert Parker

"THERE IS SORROW ON THE SEA"

By Gilbert Parker

DONOVAN PASHA

AND SOME PEOPLE OF EGYPT

By Gilbert Parker

THE WEAVERS

By Gilbert Parker

INTRODUCTION

NOTE

EMBERS

By Gilbert Parker

A LOVER'S DIARY

By Gilbert Parker

THE MONEY MASTER

By Gilbert Parker

INTRODUCTION

THE WORLD FOR SALE

By Gilbert Parker

INTRODUCTION

NOTE

PRELUDE

YOU NEVER KNOW YOUR LUCK

[BEING THE STORY OF A MATRIMONIAL DESERTER]

By Gilbert Parker

INTRODUCTION

YOU NEVER KNOW YOUR LUCK

PROEM

WILD YOUTH

By Gilbert Parker

WILD YOUTH

NO DEFENSE

By Gilbert Parker

CARNAC'S FOLLY

By Gilbert Parker

GENERAL INTRODUCTION

With each volume of this subscription edition (1912) there is a special introduction, setting forth, in so far as seemed possible, the relation of each work to myself, to its companion works, and to the scheme of my literary life. Only one or two things, therefore, need be said here, as I wish God-speed to this edition, which, I trust, may help to make old friends warmer friends and new friends more understanding. Most of the novels and most of the short stories were suggested by incidents or characters which I had known, had heard of intimately, or, as in the case of the historical novels, had discovered in the works of historians. In no case are the main characters drawn absolutely from life; they are not portraits; and the proof of that is that no one has ever been able to identify, absolutely, any single character in these books. Indeed, it would be impossible for me to restrict myself to actual portraiture. It is trite to say that photography is not art, and photography has no charm for the artist, or the humanitarian indeed, in the portrayal of life. At its best it is only an exhibition of outer formal characteristics, idiosyncrasies, and contours. Freedom is the first essential of the artistic mind. As will be noticed in the introductions and original notes to several of these volumes, it is stated that they possess anachronisms; that they are not portraits of people living or dead, and that they only assume to be in harmony with the spirit of men and times and things. Perhaps in the first few pages of 'The Right of Way' portraiture is more nearly reached than in any other of these books, but it was only the nucleus, if I may say so, of a larger development which the original Charley Steele never attained. In the novel he grew to represent infinitely more than the original ever represented in his short life.

That would not be strange when it is remembered that the germ of The 'Right of Way' was growing in my mind over a long period of years, and it must necessarily have developed into a larger conception than the original character could have suggested. The same may be said of the chief characters in 'The Weavers'. The story of the two brothers—David Claridge and Lord Eglington—in that book was brewing in my mind for quite fifteen years, and the main incidents and characters of other novels in this edition had the same slow growth. My forthcoming novel, called 'The Judgment House', had been in my mind for nearly twenty years and only emerged when it was full grown, as it were; when I was so familiar with the characters that they seemed as real in all ways as though they were absolute people and incidents of one's own experience.

Little more need be said. In outward form the publishers have made this edition beautiful. I should be ill-content if there was not also an element of beauty in the work of the author. To my mind truth alone is not sufficient. Every work of art, no matter how primitive in conception, how tragic or how painful, or even how grotesque in design—like the gargoyles on Notre Dame must have, too, the elements of beauty—that which lures and holds, the durable and delightful thing. I have a hope that these books of mine, as faithful to life as I could make them, have also been touched here and there by the staff of beauty. Otherwise their day will be short indeed; and I should wish for them a day a little longer at least than my day and span.

I launch the ship. May it visit many a port! May its freight never lie neglected on the quays!

End of the Project Gutenberg EBook The Project Gutenberg
Complete Works of Gilbert Parker, by Gilbert Parker

*** END OF THIS PROJECT GUTENBERG EBOOK COMPLETE WORKS OF PARKER ***

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