The Project Gutenberg eBook of Child Verse: Poems Grave And Gay, by John. B. Tabb.


The Project Gutenberg EBook of Child Verse, by John B. Tabb

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Child Verse
       Poems Grave & Gay

Author: John B. Tabb

Release Date: October 20, 2011 [EBook #37810]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK CHILD VERSE ***




Produced by Mark C. Orton, David E. Brown and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)

Child Verse: Poems Grave and Gay

CHILD
VERSE

Poems Grave & Gay

by John. B. Tabb

Small, Maynard & Company.
Boston 1900

Copyright, 1899
By Small, Maynard & Company
(Incorporated.)

Entered at Stationers' Hall

First Edition (1250 copies) November, 1899
Second Edition (1000 copies) December, 1899

The Rockwell and Churchill Press
Boston, U.S.A.

TO
MY LITTLE FRIEND
Henry Dinneen
WITH MY
LOVE AND BLESSING

NOTE

SOME of these verses have appeared in other places: one in St. Nicholas, one in Harper's Young People; and the Sunday School Times, the Youth's Companion, and the Independent have each published others. To this class belong, I think, all I reprint from my Poems and Lyrics. Most of the contents, however, is new.

J. B. T.

CONTENTS

	PAGE
Hare-bells	3
At Cock-Crow	4
A Duet	5
The Bobolink	6
The Bluebird	7
The Woodpecker	8
Chimney Stacks	9
Butterfly	10
The Honey Bee	11
The Bee and the Blossoms	12
The Tax-Gatherer	13
Jack-o'-Lantern	14
The Pleiads	15
Jack Frost's Apology	16
A Cavalcade	17
Silk	18
Seed-Time	19
A Legacy	20
Amid the Roses	21
Light and Shadow	22
Sleep	23
The Fire-Fly	24
The Dragon-Fly	25
Archery	26
A Spy	27
A Lament	28
Fern Song	29
The Brook	30
An Interview	31
Baby's Dimples	32
A Bunch of Roses	33
Foot-Soldiers	34
The Baby's Star	35
Slumber-Song	36
An Idolater	37
The New-Year Babe	38
Bicycles! Tricycles!	40
High and Low	41
Doctor Tumble-Bug	42
Close Quarters	43
The Time-Brood	44
Pains-Taking	45
A Rub	46
Cats	47
An Insectarian	48
The Squirrel	49
Hospitality	50
Frog Making	51
The Tree-Frog Pedigree	52
An Explanation	53
The Parlour and the Fly	54
No Go	55
A Mouse, A Cat, and an Irish Bull	56
The Same with a Difference	57
An Inconvenience	58
The Tryst	59
Etiquette	60
A Sunstroke	61
A Shuffle	62
Washington's Ruse	63
Panic	64
The End of It	65
A Little Child's Prayers	66
The Child: At Bethlehem	67
To His Mother	68
A Lily of the Field	69
The Lamb-Child	70
A Pair of Turtle-Doves	71
Hide-and-Seek	72
Out of Bounds	73
The Child on Calvary	74
The Child: At Nazareth	75
St. Theresa and the Child	77
Tradition	78

[1]

[2]

CHILD VERSE

[3]

HARE-BELLS

RING! The little Rabbits' eyes,
In the morning clear,
Moisten to the melodies
They alone can hear.

Ring! The little Rabbits' feet,
Shod with racing rhyme,
If the breezes they would beat,
Must be beating time.

Ring! When summer days are o'er,
And the snowfalls come,
Rabbits count the hours no more,
For the bells are dumb.

[4]

AT COCK-CROW

CROW! For the night has thrice denied
The glory of the Sun,
And now, repentant, turns aside
To weep what he has done.

[5]

A DUET

A LITTLE yellow Bird above,
A little yellow Flower below;
The little Bird can sing the love
That Bird and Blossom know;
The Blossom has no song nor wing,
But breathes the love he cannot sing.

[6]

THE BOBOLINK

YOUR notes are few,
But sweet your song
As honey-dew;
And all day long,
Dear Bobolink, a-listening,
I never tire to hear you sing.

[7]

THE BLUEBIRD

WHEN God had made a host of them,
One little flower still lacked a stem
To hold its blossom blue;
So into it He breathed a song,
And suddenly, with petals strong
As wings, away it flew.

[8]

THE WOODPECKER

THE wizard of the woods is he;
For in his daily round,
Where'er he finds a rotting tree,
He makes the timber sound.

[9]

CHIMNEY STACKS

IN winter's cold and summer's heat
The hospitable chimneys greet
Their never-failing guests;
For when the sparks are upward gone,
The swallows downward come anon,
To build their neighboring nests.

[10]

BUTTERFLY

BUTTERFLY, Butterfly, sipping the sand,
Have you forgotten the flowers of the land?
Or are you so sated with honey and dew
That sand-filtered water tastes better to you?

[11]

THE HONEY-BEE

O BEE, good-by!
Your weapon's gone,
And you anon
Are doomed to die;
But Death to you can bring
No second sting.

[12]

THE BEE AND THE BLOSSOMS

"WHY stand ye idle, blossoms bright,
The livelong summer day?"
"Alas! we labour all the night
For what thou takest away."

[13]

THE TAX-GATHERER

"AND pray, who are you?"
Said the violet blue
To the Bee, with surprise
At his wonderful size,
In her eye-glass of dew.

"I, madam," quoth he,
"Am a publican Bee,
Collecting the tax
On honey and wax.
Have you nothing for me?"

[14]

JACK-O'-LANTERN

"JACK-O'-LANTERN, Jack-o'-Lantern,
Tell me where you hide by day?"
"In the cradle where the vapours
Dream the sunlit hours away."

"Jack-o'-Lantern, Jack-o'-Lantern,
Who rekindles you at night?"
"Any firefly in the meadow
Lends a Jack-o'-Lantern light."

[15]

THE PLEIADS

"WHO are ye with clustered light,
Little Sisters seven?"
"Crickets, chirping all the night
On the hearth of heaven."

[16]

JACK FROST'S APOLOGY

TO strip you of your foliage
My spirit sorely grieves;
Nor will I in the work engage
Unless you grant your leaves.

[17]

A CAVALCADE

"THISTLE-DOWN, Thistle-down, whither away?
Will you not longer abide?"
"Nay, we have wedded the winds to-day,
And home with the rovers we ride."

[18]

SILK

'TWAS the shroud of many a worm-like thing
That rose from its tangled skein;
'Twas the garb of many a god-like king
Who went to the worms again.

[19]

SEED-TIME

WHEN Trumpet-flowers begin to blow
The Thistle-downs take heed,
For then they know 'tis time to go
And plant the wingèd seed.

[20]

A LEGACY

DO you remember, little cloud,
This morning when you lay—
A mist along the river—what
The waters had to say?

And how the many-coloured flowers
That on the margin grew,
All promised when the day was done
To leave their tints to you?

[21]

AMID THE ROSES

THERE was laughter 'mid the Roses,
For it was their natal day;
And the children in the garden were
As light of heart as they.

There were sighs amid the Roses,
For the night was coming on;
And the children—weary now of play—
Were ready to be gone.

There are tears amid the Roses,
For the children are asleep;
And the silence of the garden makes
The lonely blossoms weep.

[22]

LIGHT AND SHADOW

"I LOVE you, little maid,"
Said the Sunbeam to the Shade,
As all day long she shrank away before him;
But at twilight, ere he died,
She was weeping at his side;
And he felt her tresses softly trailing o'er him.

[23]

SLEEP

WHEN he is a little chap,
We call him Nap.
When he somewhat older grows,
We call him Doze.
When his age by hours we number,
We call him Slumber.

[24]

THE FIRE-FLY

"ARE you flying through the night
Looking where to find me?"
"Nay; I travel with a light
For the folks behind me."

[25]

THE DRAGON-FLY

"IS skimming o'er a stagnant pool
Your only occupation?"
"Ah, no: 'tis at this Summer School
I get my education."

[26]

ARCHERY

A BOW across the sky
Another in the river,
Whence swallows upward fly,
Like arrows from a quiver.

[27]

A SPY

SIGHED the languid Moon to the Morning Star:
"O little maid, how late you are!"
"I couldn't rise from my couch," quoth she,
"While the Man-in-the-Moon was looking at me."

[28]

A LAMENT

"O LADY CLOUD, why are you weeping?" I said.
"Because," she made answer, "my rain-beau is dead."

[29]

FERN SONG

DANCE to the beat of the rain, little Fern,
And spread out your palms again,
And say, "Tho' the sun
Hath my vesture spun,
He had laboured, alas, in vain,
But for the shade
That the Cloud hath made,
And the gift of the Dew and the Rain."
Then laugh and upturn
All your fronds, little Fern,
And rejoice in the beat of the rain!

[30]

THE BROOK

IT is the mountain to the sea
That makes a messenger of me;
And, lest I loiter on the way
And lose what I am sent to say,
He sets his reverie to song,
And bids me sing it all day long.
Farewell! for here the stream is slow,
And I have many a mile to go.

[31]

AN INTERVIEW

I SAT with chill December
Beside the evening fire.
"And what do you remember,"
I ventured to inquire,
"Of seasons long forsaken?"
He answered in amaze,
"My age you have mistaken;
I've lived but thirty days."

[32]

BABY'S DIMPLES

LOVE goes playing hide-and-seek
'Mid the roses on her cheek,
With a little imp of Laughter,
Who, the while he follows after,
Leaves the footprints that we trace
All about the Kissing-place.

[33]

A BUNCH OF ROSES

THE rosy mouth and rosy toe
Of little baby brother
Until about a month ago
Had never met each other;
But nowadays the neighbours sweet,
In every sort of weather,
Half way with rosy fingers meet,
To kiss and play together.

[34]

FOOT-SOLDIERS

'TIS all the way to Toe-town,
Beyond the Knee-high hill,
That Baby has to travel down
To see the soldiers drill.

One, two, three, four, five, a-row—
A captain and his men—
And on the other side, you know,
Are six, seven, eight, nine, ten.

[35]

THE BABY'S STAR

THE Star that watched you in your sleep
Has just put out his light.
"Good-day, to you on earth," he said,
"Is here in heaven Good-night.

"But tell the Baby when he wakes
To watch for my return;
For I'll hang out my lamp again
When his begins to burn."

[36]

SLUMBER-SONG

LO, in the west
A cloud at rest—
A babe upon its mother's breast—
Is sleeping now.

Above it beams
A star that seems
To shed the light of holy dreams
Upon its brow.

But cloud and star,
Tho' nearer far
They seem, my Babe, more distant are
From heaven than thou.

[37]

AN IDOLATER

THE Baby has no skies
But Mother's eyes,
Nor any God above
But Mother's Love.
His angel sees the Father's face,
But he the Mother's, full of grace;
And yet the heavenly kingdom is
Of such as this.

[38]

THE NEW-YEAR BABE

TWO together, Babe and Year,
At the midnight chime,
Through the darkness drifted here
To the coast of Time.

Two together, Babe and Year,
Over night and day,
Crossed the desert Winter drear
To the land of May.

On together, Babe and Year
Swift to Summer passed.
"Rest a moment, Brother dear,"
Said the Babe at last.

"Nay, but onward," answered Year,[39]
"We must farther go,
Through the Vale of Autumn sere
To the Mount of Snow."

Toiling upward, Babe and Year
Climbed the frozen height.
"We may rest together here,
Brother Babe,—Good-night!"

Then together Babe and Year
Slept; but ere the dawn,
Vanishing, I know not where,
Brother Year was gone!

[40]

BICYCLES! TRICYCLES!

BICYCLES! Tricycles! Nay, to shun laughter,
Try cycles first, and buy cycles after;
For surely the buyer deserves but the worst
Who would buy cycles, failing to try cycles first.

[41]

HIGH AND LOW

A BOOT and a Shoe and a Slipper
Lived once in the Cobbler's row:
But the Boot and the Shoe
Would have nothing to do
With the Slipper, because she was low.

But the king and the queen and their daughter
On the Cobbler chanced to call;
And as neither the Boot
Nor the Shoe would suit
The Slipper went off to the ball.

[42]

DOCTOR TUMBLE-BUG

WITH wondrous skill
He works until,
To suit himself, he makes it
A patent Pill,
To cure or kill
The sufferer that takes it.

[43]

CLOSE QUARTERS

LITTLE toe, big toe, three toes between,
All in a pointed shoe!
Never was narrower forecastle seen
Nor so little room for the crew.

[44]

THE TIME-BROOD

I WONDER how the mother-Hour
Can feed each hungry Minute,
And see that every one of them
Gets sixty seconds in it;

And whether, when she goes abroad,
She knows which ones attend her;
For all of them are just alike
In age and size and gender.

[45]

PAINS-TAKING

"TAKE pains," growled the Tooth to the Dentist;
"The same," said the Dentist, "to you."
Then he added, "No doubt,
Before you are out
You'll have taken most pains of the two."

[46]

A RUB

'TWIXT Handkerchief and Nose
A difference arose;
And a tradition goes
That they settled it by blows.

[47]

CATS

THEY fought like demons of the night
Beneath a shrunken moon,
And all the roof at dawn of light
With fiddle-strings was strewn.

[48]

AN INSECTARIAN

"I CANNOT wash my dog," she said,
"Nor touch him with a comb,
For fear the Fleas upon him bred
May find no other home."

[49]

THE SQUIRREL

WHO combs you, little Squirrel?
And do you twist and twirl
When some one puts the papers on
To keep your tail in curl?

And must you see the dentist
For every tooth you break?
And are you apt from eating nuts
To get the stomach-ache?

[50]

HOSPITALITY

SAID a Snake to a Frog with a wrinkled skin,
"As I notice, dear, that your dress is thin,
And a rain is coming, I'll take you in."

[51]

FROG-MAKING

SAID Frog papa to Frog mamma,
"Where is our little daughter?"
Said Frog mamma to Frog papa,
"She's underneath the water."

Then down the anxious father went,
And there, indeed, he found her,
A-tickling tadpoles, till they kicked
Their tails off all around her.

[52]

THE TREE-FROG PEDIGREE

OUR great ancestor, Polly Wog,
With her cousin, Thaddeus Pole,
Eloped from her home in an Irish bog,
And crossing the sea on the "Mayflower's" log,
At the risk of body and soul,
Married a Frog; and thus, you see,
How we come by a place in the family-tree
And the family name, Tree-frog.

[53]

AN EXPLANATION

TO the young lady Toad said her mother,
"How had you the boldness, my dear,
To propose to Miss Polliwog's brother?"
"Why, mamma," she replied, "'tis leap year!"

[54]

THE PARLOUR AND THE FLY

"WILL you walk into the Spider?"
Said the Parlour to the Fly;
"He's the emptiest little spider
That ever you did spy.

"And he covers me with cobweb;
So I want you to go in;
For—his lower chamber furnished—
He will have no room to spin."

[55]

NO GO

SAID a simpering Butterfly, sipping a rose,
To a graceless Mosquito on grandpapa's nose,
Whom she hoped to entrap,
"Pray come, Sir, and taste of this delicate stuff."
"Thanks, Madam, I'm just now taking my snuff,"
Quoth the impudent chap.

[56]

A MOUSE, A CAT, AND AN IRISH BULL

A LITTLE mouse nibbled a Limburger cheese,
And back to his bedchamber stole,
Whence never again was he destined to squeeze,
For the smell was too large for the hole.

And a Pussy Cat, passing, instinctively stood;
For her appetite urged her to try it;
But she answered her stomach that grumbled for food,
"I should die if I lived on such diet."

[57]

THE SAME WITH A DIFFERENCE

WHEN first they wed he was a sing-er,
And much delight his songs did bring her;
But nowadays he proves a sin-ger,
And makes it hot for her as ginger.

[58]

AN INCONVENIENCE

TO his cousin the Bat
Squeaked the envious Rat,
"How fine to be able to fly!"
Tittered she, "Leather wings
Are convenient things;
But nothing to sit on have I."

[59]

THE TRYST

POTATO was deep in the dark under ground,
Tomato, above in the light.
The little Tomato was ruddy and round,
The little Potato was white.

And redder and redder she rounded above,
And paler and paler he grew,
And neither suspected a mutual love
Till they met in a Brunswick stew.

[60]

ETIQUETTE

"I LONG," said the new-gathered Lettuce,
"To meet our illustrious guest."
Cried the Caster, "Such haste
Is in very bad taste:
See first that you're properly dressed."

[61]

A SUNSTROKE

THE Sun courted Water,
Earth's loveliest daughter,
And strove to abduct her in vain:
For, when he had caught her,
And to the clouds brought her,
Home she came running in rain.

[62]

A SHUFFLE

THERE was a rumpus in the Pack,
Whereof the King and Queen and Jack
Were playing knavish parts.
On Club and Spade was put the blame;
But these asserted 'twas a game
Of Diamonds and Hearts.

[63]

WASHINGTON'S RUSE

WHEN Georgie would not go to bed,
If some one asked him why,
"What is the use?" he gravely said,
"You know I cannot lie."

[64]

PANIC

IT struck the signs of the Zodiac,
Around the immovable Man
Who stands in front of the Almanack
To show his interior plan.

The Scorpion attacked the Bull,
The Bull aroused the Lion;
The Crab by their tails
Flung the Fish in the Scales,
Where they floundered as on a gridiron;
The Billy Goat went for the Gemini twins;
The Ram made a rush at Aquarius;
And a narrow escape had the Virgo's shins
From the shaft of her beau Sagittarius.

[65]

THE END OF IT

A WHOLE-TAIL dog, and a half-tail dog,
And a dog without a tail,
Went all three out on an autumn day
To follow a red-fox trail.

But the dogs that carried their tails along
Fell out, it is said, by the way;
And the loss of a tail and a half at the end
Of the dogs put an end to the fray.

When each, as a morsel sweet, gulped down
What had late been a neighbor's pride,
"You've kept your tails," laughed the no-tail dog,
"But you wear them now inside."

[66]

A LITTLE CHILD'S PRAYERS

MAKE me, dear Lord, polite and kind
To every one, I pray;
And may I ask you how you find
Yourself, dear Lord, to-day?

Lord, I have lost a toy
With which I love to play;
And as you were yourself a boy
Of just my age to-day,
O Son of Mary, would you mind
To help me now my toy to find?

[67]

THE CHILD

AT BETHLEHEM

LONG, long before the Babe could speak,
When he would kiss his mother's cheek
And to her bosom press,
The brightest angels, standing near,
Would turn away to hide a tear,
For they are motherless.

Where were ye, Birds, that bless His name,
When wingless to the world He came,
And wordless,—tho' Himself the Word
That made the blossom and the bird?

III[68]

TO HIS MOTHER

He brought a Lily white,
That bowed its fragrant head
And blushed a rosy red
Before her fairer light.

He brought a Rose; and lo,
The crimson blossom saw
Her beauty; and in awe
Became as white as snow.

[69]

A LILY OF THE FIELD

IN all his glory, Solomon
Was never so arrayed;
Yet far more beautiful is one—
A MOTHER and a MAID—
Whose loveliness and lowliness
God stooped from highest heaven to bless.

[70]

THE LAMB-CHILD

WHEN Christ the Babe was born,
Full many a little lamb,
Upon the wintry hills forlorn,
Was nestled near its dam;

And, waking or asleep,
Upon His mother's breast,
For love of her, each mother-sheep
And baby-lamb He blessed.

[71]

A PAIR OF TURTLE-DOVES

THE PURIFICATION

"WHERE, woman, is thine offering—
The debt of law and love?"
"My Babe a tender nestling is,
And I the mother-dove."

[72]

HIDE-AND-SEEK

YOU hid your little self, dear Lord,
As other children do;
But oh, how great was their reward
Who sought three days for you!

[73]

OUT OF BOUNDS

A LITTLE Boy, of heavenly birth,
But far from home to-day,
Comes down to find His ball, the Earth,
That Sin has cast away.
O comrades, let us one and all
Join in to get Him back His ball.

[74]

THE CHILD ON CALVARY

THE Cross is tall,
And I too small
To reach His hand
Or touch His feet;
But on the sand
His footprints I have found,
And it is sweet
To kiss the holy ground.

[75]

THE CHILD

AT NAZARETH

ONCE, measuring His height, He stood
Beneath a cypress-tree,
And, leaning back against the wood,
Stretched wide His arms for me;
Whereat a brooding mother-dove
Fled fluttering from her nest above.

At evening He loved to walk
Among the shadowy hills, and talk
Of Bethlehem;
But if perchance there passed us by
The paschal lambs, He'd look at them[76]
In silence, long and tenderly;
And when again He'd try to speak,
I've seen the tears upon His cheek.

[77]

ST. THERESA AND THE CHILD

"WHO art thou, son?" The little stranger smiled,
"And who art thou?" Whereto she made reply,
"Theresa I of Jesus am, my child."
He—radiant—"Jesus of Theresa I."

[78]

TRADITION

WHEN home our blessed Lord was gone,
His mother lived alone with John;
For each had secrets to impart
That Love had taught them both by heart.

TRANSCRIBER'S NOTES:

Inconsistencies in hyphenation have been retained from the original.






End of the Project Gutenberg EBook of Child Verse, by John B. Tabb

*** END OF THIS PROJECT GUTENBERG EBOOK CHILD VERSE ***

***** This file should be named 37810-h.htm or 37810-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/7/8/1/37810/

Produced by Mark C. Orton, David E. Brown and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.